Stars and Songs. Okay, here's my attempt at just posting songs I like and ranting about terrible albums that I question how many ears heard it without anyone questioning the musical merits of it. I will try very hard not to pull a Pitchfork review in my entries because I hate their inclusive style of writing, as if one has to have a wide musical knowledge to understand the name dropping and references. If only I had started that blog years ago so I could shit talk Rilo Kiley's last album and the last two Interpol albums. (Don't lie, your ears gave you a WTF moment after hearing those albums, too.) I stick to my earlier review of Our Love to Admire.
The new Interpol album, Our Love to Admire, reminded me of what disappointment felt like. After sampling the first five seconds of each song, I was convinced my friend sent me Antics instead. There was absolute conviction that I heard the intro "The Heinrich Maneuver" on a past cd and this copy was a false leak. Confusion lead to research lead to hope lead to dismay lead to disgust. This album is far from "expressive" as the band members want me to believe. Okay, I give into the addition of a few wind instruments but Paul Banks is still singing in the same note on every song. I let that pass on Antics, but now, forgiveness will not be granted.
I'm so disappointed in you, Interpol, you were supposed to offer me something new, not this sloppy third helping of cheap dark and dank sex in an alley shit. Your debut was gorgeous and reminded me of Joy Division so much that I thought Ian Curtis was alive again. Find yourself another (music) whore because I'm not putting out for you.
So for more tirades in such fashion, I'll be hobbling on that other space of the interwebs.
In other news, I find myself quoting Robert Frost these days. I feel cultured yet am perplexed in my doing so. At least I'm not quoting Shakespeare. That's loony bin time. Or awesome time. Obviously, it's still up for debate.
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